Happy Christmas...Er, Halloween

After a long, sweltering summer there is nothing more satisfying to me than a crisp autumn day. Not too cold, but deserving of a light jacket or a fleece. Maybe a morning where you can just see your breath, but perfectly pleasant while the sun shines with just enough warmth.

So you can imagine my disappointment when I found out that we'd be going straight to winter. No passing go. No collecting $200. Just go directly to a goddamn Nor'easter! What the fuck, Mother Nature? I realize the human race is doing all we can to piss you off but this is just cruel. I even got screwed out of my annual haunted hayride trip since, shockingly, most of the people running those things didn't think they'd need to attach a fucking snowplow to the front of their tractors. Jesus.

Anyway, I figured it might be best to concentrate on the things about Halloween that make me happy to take my mind off of this douchebag weather cycle. So here's a few random things that I always look forward to about Halloween.

Halloween-Themed TV Episodes

These are always the first sign that Halloween is almost here. When I was a typical dateless wonder in the mid-to-late nineties, the apex of the season was, of course, The Simpsons Treehouse of Horrors. There are a lot of great moments so it's hard to pick one out of the rest, but just because I read about it online recently I have to point out the Tron joke from "Homer 3."

But nowadays I'm more interested in finding a show that takes Halloween into a scarier direction. This year's winner has to be the Halloween episode of Castle. Nathan Fillion is one of an surprisingly long list of man crushes that I have, and it's fun watching him geek out at the idea of that a ghost could be the perpetrator in the murder case he's helping investigate. Of course it wasn't a ghost, but the reality of the case was still nice and creepy. Good show, Castle.

AMC's Fear Fest

I'm a child of 80s horror. I can't get enough poorly written slasher movies where 25-year-old "teenagers" get chased down by a maniac in a mask who somehow catches them while never speeding above a leisurely stroll. And apparently, neither can AMC. Friday the 13th and it's many sequels, Halloween and it's almost equally many sequels, and an array of my favorite horror movies. Plus, now I also get The Walking Dead thrown in for good measure. Just great stuff all around.

Haunted Hayride Websites

So, yes, this one is kind of sad. But every year, by early September, I find myself going to the sites of my favorite haunted hayrides to see if they've updated for the new season. I'll probably never wind up going to 99% of the actual attractions that I check out online (or 100% in the years that it fucking snows), but this is another instance of building my anticipation for the Halloween season. Plus, the ads on the websites usually turn out better than the actual hayride.

I guess the good thing about my favorite things to do around Halloween is that they aren't really weather dependent. Sure, I had to miss the annual haunted hayride trip, and I'm not allowed to go trick or treating since no one seems to buy that I'm just wearing my "27-year-old with a beard" costume. But at least during Halloween I can watching horror movies until 2 am and not feel the same sense of shame as when I do it during New Year's Eve.

Get to Know a Horror Classic: Night of the Living Dead

Boo, motherfucker! That line would account for about 85% of the scares in I horror movie if I'd written it. But while I have absolutely no business creating a horror movie, that doesn't mean I can't appreciate ones made by people who know what they're doing. I've already alluded to that fact a few times before, but after reading Shock Value last week I feel like taking a tour of some of the classics I've never seen. And maybe I'll take the opportunity to revisit some great ones from when I was a kid.



This week, I'll start with the zombie movie that led the way for all other zombie movies, George Romero's Night of the Living Dead. Made in 1968 in Monroeville, Pa, only a few hours away from where I currently sit, Night of the Living Dead isn't terribly new by today's standards. A small group of people are surrounded by a swarm of ghouls who want little more than to chow down on them. But before Night of the Living Dead, this scenario was unheard of, and it paved the way for a whole host of zombie movies (about 50% of which seem to have been made by Romero). What I wanted to know, though, is how does the movie stand on its own, rather than as a piece of horror movie history?



Well, the first thing that has to be said is that this movie it looks very dated. Even though it was made well after color was put into widespread use, its shoestring budget forced the use of black and white, so it looks like something out of the 40s or 50s as opposed to the late 60s. While this was a flaw for me at first, it actually made the harsh violence that much more shocking when contrasted with the old-style feel the movie has. If someone glanced at the screen, they might expect this movie to be a campy flick about giant radioactive ants or some poor guy stomping around in a crappy rubber suit. Instead, they'd get this:







That is a brutal piece of film work. Sure, there have been gorier scenes since, but the very concept is extremely dark. Firstly, Romero essentially killed a kid, which is usually taboo, even in horror. Secondly, the undead child then proceeds to kill both of her parents. And Romero has no qualms about drawing out the mother's murder, keeping the viewer believing that someone would come down and save her at the last second. Instead, the undead child repeatedly stabs her over and over again. Definitely not something for the feint of heart.



Speaking of harsh, the ending is definitely not geared for folks who want the good guys to win. Ben is not only maybe the only black protagonist in a 1960s movie not played by Sidney Poitier, he's also one of the only black men ever to make it to the end of a horror movie in the history of horror movies. But unfortunately, he only survives the zombie attack to be mistaken for one of them and shot in head by a gaggle of hillbilly zombie killers.







The shot takes place at around the 4:15 mark, but what's worse is the build up. If I'd seen this without knowing what was going to happen it would have been tense, but I think it's even worse knowing what's coming. You want him to make it so badly, and he'd be just about to do that if not for Jethro and his posse. So the fact that Romero teases you with the possibility of a happy ending only to pull the rug out from under you is a real kick in the gut.



Night of the Living Dead is not without its drawbacks. The acting is wooden in a lot of areas and there are a lot of scenes that drag on for way too long (how long can we watch a guy board up windows while a catatonic woman babbles to herself?) but all in all it's still a worthwhile watch, especially when you consider you can see it for free pretty much anywhere since Romero didn't have the foresight to copyright his work. I'm hoping that's a mistake he corrected when he made the sequel, Dawn of the Dead, which I'll likely get to in a later post.

Shock Value: People Who Like Horror Can Be Smart, Too

I finished a great book called Shock Value today. Well, that's not the full title. The full title is Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror. But you're crazy if you think I'm going to keep typing that bastard of a title. I'd probably write SV if I didn't think it sounded like a new sexually transmitted disease.

And that random nugget of stupid actually segues nicely into the reason I liked this book so much. It's author, Jason Zimoman, is able to talk intellectually about what draws people to horror, specifically the New Horror of the late 1960s into the 70s. As he describes the work of classic horror directors like John Carpenter, William Friedkin, and Brian De Palma, he has a knack for discussing these films without looking down his nose at them like the majority film critics. At the same time, he also avoids the fanboy ravings that people like me would be prone to use. Whereas I'd be pointing out that most critics are stuck up douche bags and horror movies kick ass, Zinoman takes a very calm, scholarly approach to his topic.

Zinoman's inner fanboy does peek out subtly a few times, however, towards the end of the book as his tone shifts to one of wistful regret as he describes the horror movies followed the revolution of the 60s and 70s. He doesn't dismiss work in the 80s, 90s, and 00s entirely, but there's a sense that something about those movies just isn't the same. Even later work by the directors he discusses in the book is relegated to afterthought. I realize this is a book about a specific genre in a specific era, but when talking about Brian De Palma's later work, he briefly lists the gangster movies that De Palma made. The fact that these movies were Scarface and The Untouchables means absolutely nothing to Zimoman.

Another great aspect of the book is that it takes you through all the crap that these directors had to go through just to get these movies made. While reading about the ties that the production of The Texas Chainsaw Massacre had to both Texas politicians and the New York mob, I couldn't help but think what a dull story the making of Avatar must be. I guess it would go without saying that the stories about people breaking into Hollywood are more interesting than those who are thriving there, but Shock Value brings that comparison into focus.

Now, while I'm trying very hard to emulate Zimoman's scholarly approach to writing about horror, I must admit that the best thing about Shock Value for me is that Zimoman pointed out some cool horror flicks to watch. One of my secret shames is that I call myself a horror fan but I still haven't seen Night of the Living Dead or The Exorcist. I'm a child of 80s horror like Friday the 13th and Nightmare on Elm Street. But Zimoman has me excited to finally give the classics a shot, along with a number of other titles which, lucky me, are in Netflix's Watch Instantly selection. So check back in the future as I'll probably be sharing my thoughts on them in the coming weeks. And, yeah, I'll probably babble quite a bit.